Venomous SinThe MoviesOur story, our revenge
Venomous Sin movies. Lore with a body count.
Venomous Sin movies will take our story somewhere a song alone cannot. This is where you will watch films about Xavi and Lina: the lives we had before the band, the scars we brought into it, and the strange, stubborn connection that survived twelve years apart. We are building a film collection around the people behind the music and the world we created together. The first movies are still to come. When they arrive, choose a film from the gallery and watch it in the player above. Our story deserves the space to unfold, from the shit that shaped us to the moment we decided it could become something of our own.
Before Venomous Sin, there was a metalhead who refused to fit and a woman who had spent too long trying to make herself acceptable. Lina’s road from being bullied to reclaiming her goth identity belongs to this story. So do Xavi’s refusal to conform, the years we lost, and the way we found each other again. Those experiences left more than good material for a dramatic fucking trailer. They changed how we see loyalty, desire, shame and the pressure to become somebody easier for other people to tolerate. Our films will follow those threads through the people we were and the choices that brought us here. Some memories hurt. Some are ridiculous. Some still make us laugh when we probably should not. The band began with a weekend experiment. We made Poisoned Embrace with AI because we wanted to hear something that came from us. We could not sing or play the instruments ourselves; we could write, feel, imagine and make decisions about what the music should say. That first experiment opened a door, and Wounds of Shadows gave our experiences a larger voice. The films will explore how that happened: how a couple’s private mess became songs, characters and a band with its own teeth. Anyone looking for the story behind Venomous Sin will find its roots in the relationship that made it possible, alongside the imagination that kept dragging it further.
Then there is the lore. NYX-END, Lina Macabre and the world surrounding our music give those experiences another form. In the movies, personal history and that fictional world will bleed into each other: a memory can become a confrontation, an old wound can take a body, and revenge can happen on a scale reality never offered. The characters carry feelings we recognise even when the setting has gone completely to hell. We want room for tenderness, filthy humour and consequences as well as darkness. Follow the films as the collection grows, hear the music that runs through them, and get to know the people and the monsters that made it. Our story, our revenge. We are finally giving the bastards a screen.


